Life is bearable even when it's unbearable: that is what's so terrible, that is the unbearable thing about it.

I think I can recognize when a piece is at a state of completion. I always say to my wife, "Oh yeah, it's roughly finished." I've got it there. And then there's that whole other phase of moving on to properly amp up the sentences and sometimes to move stuff around as well.

I’m so revolted by writers taking themselves seriously that, as a kind of protest, I’ve deprioritized the role of writing in my life. I do it when I’ve not got anything better to do – and even then I often do nothing instead.

The process of book writing for me is entirely one of trial and error.

Life is bearable even when it's unbearable: that is what's so terrible, that is the unbearable thing about it.

If the regular length of a shot is increased, one becomes bored, but if you keep on making it longer, a new quality emerges, a special intensity of attention.' At first there can be a friction between our expectations of time and Tarkovsky-time and this friction is increasing in the twenty-first century as we move further and further away from Tarkovsky-time towards moron-time in which nothing can last—and no one can concentrate on anything—for longer than about two seconds.

I really like the George Clooney of Solaris also filmed by Andrei Tarkovsky, before Steven Soderbergh: that's very obviously sci-fi, and it seems to me a great film. But whatever pigeon-hole you put Stalker into you would both be increasing the risk of disappointing people and diminishing the film.