When I'm writing a score, I'm constantly looking for ways to improve on it, even when I think it's working well. I don't give up on things, and am always trying to make incremental improvements, which means I never finish writing a score early!

Each culture might lend its own dialect, but above all that is the language of music itself, and it doesn't care about politics or boundaries.

One of the earliest memories I have of feeling the power of film music was watching Willy Wonka & the Chocolate Factory. That was a really clear epiphany for me, when I realized that each film has its own music, and that there was someone out there who wrote this very specific music for just this one film.

For as long as I can remember, I've been passionate about music. I can't recall a time when I didn't have music playing in my head.

In a recording, your ear believes and accepts the trumpets as part of the ensemble, but you can't do that in a concert hall.

When I was a young child my folks would ask me why I was rocking back and forth and I'd answer "cause of the music in my head!"

I prefer live musicians whenever possible. And I tailor the ensemble to what is appropriate for the film and the score I'm writing.