If in the sex scene you happen to be naked in front of a lot of other people you've just got to put that aside, in the same way that you have to put that aside in a fully-clothed intense dialogue scene because you're entering into that particular imaginative state of play.

Yeah, well, the F-bomb - it's become as ubiquitous as the word 'like.' People just throw the word 'like' around as punctuation. And I think in a lot of everyday speech, the F-bomb has become a kind of dash or a comma.

Like any classic you hope to get rid of all the varnish that's built up over the centuries where people expect it to be in a certain way. It's a mighty play. It's about a very old king who also happens to be a very old father, so you've got the state and the domestic levels in there together. It's a story in extremis. Everyone knows the end, there's only two people left alive.

I didn't know the Green Lantern comics at all. I was a Superman reader.

This is what happens when you are on the wrong side of 40. Young adults, who could be your children, are now working with you. I was playing their parents or mentor. I started to think: Oh, I am not part of that group any more.

That's one of those questions where somebody says "would you like to see more women behind the camera?" And then it becomes I must have interrupted the interview to make a platform stance. But, no, I do believe it. In Australia, per capita, we've got a slightly more balanced and healthier statistic than here. I've only just started working more regularly with female ADs and its just a beautiful, different energy on set.

Nobody ever said that growing old would be easy. Just having to hold the newspaper out in your forties and then hair growing out of unusual parts of your body in your fifties. It's tough on the ego.