The most realistic blood I've seen is when Marlon Brando gets beat up in On The Waterfront.

I keep a little notebook of things that I can do to the zombies that might be silly and fun.

My opinion of a good zombie walk is to loll your head as if it's a little too heavy and the muscles have begun to atrophy.

It would be very hard to write a serious drama and say some of these things. You can be much more abstract and allusive with horror, and it's very forgiving to the author. You don't necessarily have to take an absolutely positive position. You can just write whatever.

A zombie film is not fun without a bunch of stupid people running around and observing how they fail to handle the situation.

As a filmmaker you get typecast just as much as an actor does, so I'm trapped in a genre that I love, but I'm trapped in it!

There are so many factors when you think of your own films. You think of the people you worked on it with, and somehow forget the movie. You can't forgive the movie for a long time. It takes a few years to look at it with any objectivity and forgive its flaws.