George Balanchine Quotes

What are you waiting for? What are you saving for? Now is all there is.

I've got more energy now than when I was younger because I know exactly what I want to do.

Dancers are instruments, like a piano the choreographer plays.

I can always invent movement, and sometimes it can be fitted into the right place, but that is not choreography. It is the music that dictates the whole shape of the work. I do not believe in the permanence of anything in ballet save the purely classical.

My muse must come to me on union time.

One is born to be a dancer. No teacher can work miracles, nor will years of training make a good dancer of an untalented pupil. One may be able to acquire a certain technical facility, but no one can ever 'acquire an exceptional talent.' I have never prided myself on having an unusually gifted pupil. A Pavlova is no one's pupil but God's.

I don't want people who want to dance; I want people who have to dance.

Ballet will speak for itself. About itself.

The ballet is a purely female thing; it is a woman, a garden of beautiful flowers, and man is the gardener.

In my ballets, woman is first. Men are consorts. God made men to sing the praises of women. They are not equal to men: They are better.

Ballet dancing is arduous, strenuous activity. Students are engaged in physical training that rivals the training Olympic athletes undergo. At the same time, they strive for physical perfection not for the prowess alone but as a way of achieving the means necessary to express the pure nature of their art.

Dance is music made visible

The woman's function is to fascinate men.

I have no literary approach - except to literature.

Ballet is important and significant - yes. But first of all, it is a pleasure.

I am a cloud - in trousers.

Storyless is not abstract. Two dancers on the stage are enough material for a story; for me, they are already a story in themselves

The mirror is not you. The mirror is you looking at yourself.

The pointes for girls, I always say, have to be like an elephant's trunk; strong and yet flexible and soft.

We must first realize that dancing is an absolutely independent art, not merely a secondary accompanying one. I believe that it is one of the great arts. . . . The important thing in ballet is the movement itself. A ballet may contain a story, but the visual spectacle . . . is the essential element. The choreographer and the dancer must remember that they reach the audience through the eye. It's the illusion created which convinces the audience, much as it is with the work of a magician.

Choreography is simpler than you think. Just go and do, and don't think so much about it. Just make something interesting.

Your eyes is camera and your brain is a file cabinet.

See the music, hear the dance.

I could never make a ballet by wrinkling my brow and concentrating. If you set out deliberately to make a masterpiece, how will you ever get it finished?

In ballet a complicated story is impossible to tell. We can't dance synonyms.

God creates, I do not create. I assemble and I steal everywhere to do it - from what I see, from what the dancers can do, from what others do.

Someone once said that dancers work just as hard as policeman, always alert, always tense. But I don't agree with that because policeman don't have to look beautiful at the same time.

First comes the sweat. Then comes the beauty if you're very lucky and have said your prayers.

Most ballet teachers in the United States are terrible. If they were in medicine, everyone would be poisoned.

If you don't feel challenged, it's because you're not doing enough. Ballet should never feel comfortable. Comfortable is lazy! If you're comfortable when you dance, you're not pushing yourself hard enough. 100 % is not enough. You have to give 200%. One tendu takes years of hard work and will never be perfect. Everything in ballet is a challenge.

Why are you stingy with yourselves? Why are you holding back? What are you saving for - for another time? There are no other times. There is only now. Right now.

Put a man and a girl on stage and there is already a story; a man and two girls, there's already a plot.

I don't have a past. I have a continuous present. The past is part of the present, just as the future is. We exist in time.

The choreographer and the dancer must remember
that they reach the audience through the eye.
It's the illusion created which convinces the audience,
much as it is with the work of a magician.

I cannot move, I cannot even want to move, unless I hear the music first.

They are poets of gesture.

One is born to be a great dancer.

Music must be seen, and dance must be heard

It's like the time capsule with everything in it. Or like the seed that when you plant it, becomes the enormous tree with leaves and fruit. Everybody was in that little seed, and so everything can open. The tree of dance is like that. It just takes a long, long time to blossom.