I've always been a lover of classical music ever since I was an early teenager I suppose. I remember the very first piece of classical music that grabbed me was I bought an LP of Daniel Barenboim performing Mozart's piano concertos and I would have been about 14 or 15 at the time and I remember I played it over and over again.

This is an issue that the Prime Minister put on the COAG agenda. First of all, it is something that would only apply in an extreme case where the service by a terrorist of a sentence of imprisonment had in no way curbed their desire or their intention to commit terrorist offences in the community, so that this is a - would be a public safety measure. The second point I'd make to you is that this is not unknown to the law.

Opera Australia has a mix - it produces new work, it produces from the classical repertoire and, particularly in more recent years, it's done those blockbuster musicals which are very lucrative for it and reach an audience that classic opera or a new opera perhaps wouldn't reach, like South Pacific for example.

That was an extremely unhelpful thing for Bill Shorten to say because those of us - and as the Attorney-General I've been closely involved in this along with my colleague Nigel Scullion, the Minister for Indigenous Affairs - what we have been trying to do for some years now, throughout the life of the Coalition Government in fact, is to bring the Australian people on a journey with us - conservative Australians as well as more progressive Australians, to persuade them that it is a seemly and fitting and decent and appropriate thing to recognise the first Australians in the Constitution.

As a Liberal of course I am very strongly committed to the notion of artistic freedom and very hostile to the idea of there being a single view of cultural policy dictated from on high.

I am the enemy of anything parochial.

The great works belong to no one nation, no one cultural tradition even. They are universal.I want an Australian vision of arts policy that is expansive, is embracing, is not narrow, is not parochial. For example, that Australians can do Shakespeare just as well as Englishmen can because we, like every civilised nation, partake of the great canonical works. It's not about Australian nationalism; it's about our identity as a culturally ambitious, culturally sophisticated nation.