The tyranny of distance is such an important element of policy and the allocation of resources.

The Coalition's message of jobs and growth is resonating very, very strongly in North and Central Queensland and one thing they're particularly fearful of is the possibility of a Green-Labor government, a government in which the Green tail wags the Labor dog.

There wasn't a lot of music in the home when I was growing up. We didn't have a piano or anything like that but my grandmother, had been a well-known piano teacher.

The great works belong to no one nation, no one cultural tradition even. They are universal.I want an Australian vision of arts policy that is expansive, is embracing, is not narrow, is not parochial. For example, that Australians can do Shakespeare just as well as Englishmen can because we, like every civilised nation, partake of the great canonical works. It's not about Australian nationalism; it's about our identity as a culturally ambitious, culturally sophisticated nation.

I've always been a lover of classical music ever since I was an early teenager I suppose. I remember the very first piece of classical music that grabbed me was I bought an LP of Daniel Barenboim performing Mozart's piano concertos and I would have been about 14 or 15 at the time and I remember I played it over and over again.

I think it's important to have a blend just as we need to have by the way a mix of different opera companies and different arts companies.

I would say to the people of Queensland, and to all listeners around the country, is that if you want stable government in the next term of parliament, it's not just enough to reelect the [Malcolm] Turnbull government. It's also important to elect a senate which will be able to deal with the important reforms, with the important legislation, in a way in which the senate in the last parliament was unable to deal with.