I would say to the people of Queensland, and to all listeners around the country, is that if you want stable government in the next term of parliament, it's not just enough to reelect the [Malcolm] Turnbull government. It's also important to elect a senate which will be able to deal with the important reforms, with the important legislation, in a way in which the senate in the last parliament was unable to deal with.

I've always been a lover of classical music ever since I was an early teenager I suppose. I remember the very first piece of classical music that grabbed me was I bought an LP of Daniel Barenboim performing Mozart's piano concertos and I would have been about 14 or 15 at the time and I remember I played it over and over again.

I think it's very, very important that people outside the capital cities, not just Sydney and Melbourne but also Brisbane Perth Adelaide and so on, have the greatest access to the best cultural experiences they can in both the performing arts and the visual arts.

There have been 44 constitutional referenda in Australia and only eight have succeeded.

The great works belong to no one nation, no one cultural tradition even. They are universal.I want an Australian vision of arts policy that is expansive, is embracing, is not narrow, is not parochial. For example, that Australians can do Shakespeare just as well as Englishmen can because we, like every civilised nation, partake of the great canonical works. It's not about Australian nationalism; it's about our identity as a culturally ambitious, culturally sophisticated nation.

A dining club which I was involved in at Oxford University invited Sir Isaiah Berlin to dinner, who I believe was probably the greatest liberal philosopher in the 20th century. I sat beside him and we spoke about liberal philosophy and the events of the 20th century all night over dinner - it was unforgettable!

I think it's important to have a blend just as we need to have by the way a mix of different opera companies and different arts companies.