Bill Shorten should - either knows that or at least he should know it and for him to change the conversation by proposing - by suggesting a proposal significantly more adventurous than where the conversation has been up until now was a very unhelpful intervention.

I am a very, very strong advocate of the notion that we shouldn't equate the arts with other aspects of infrastructure. They have a unique role in any civilised society and that requires appropriate and targeted government support.

I think it's very, very important that people outside the capital cities, not just Sydney and Melbourne but also Brisbane Perth Adelaide and so on, have the greatest access to the best cultural experiences they can in both the performing arts and the visual arts.

I've spent some time in North and Central Queensland, in fact as recently as yesterday I was in Rockhampton, where the seat of Capricornia is based. I have to tell you that people in Queensland, but particularly regional Queensland, are very concerned about jobs. They are very concerned that the economic future for themselves and their children and their grandchildren should be - should be clear.

This is a very practical discussion about the fact that one of the largest coal companies in the world, Adani, wants to build one of the, develop one of the largest coal mines in Australia in this region of Australia. And if they get the green light to do that, that will secure the economic future of people in Rockhampton, and people in central Queensland. It will secure their jobs in the future, and that's what they're concerned about.

That was an extremely unhelpful thing for Bill Shorten to say because those of us - and as the Attorney-General I've been closely involved in this along with my colleague Nigel Scullion, the Minister for Indigenous Affairs - what we have been trying to do for some years now, throughout the life of the Coalition Government in fact, is to bring the Australian people on a journey with us - conservative Australians as well as more progressive Australians, to persuade them that it is a seemly and fitting and decent and appropriate thing to recognise the first Australians in the Constitution.

The great works belong to no one nation, no one cultural tradition even. They are universal.I want an Australian vision of arts policy that is expansive, is embracing, is not narrow, is not parochial. For example, that Australians can do Shakespeare just as well as Englishmen can because we, like every civilised nation, partake of the great canonical works. It's not about Australian nationalism; it's about our identity as a culturally ambitious, culturally sophisticated nation.