When you start out as an actor, you read a script thinking of it at its best. But that's not usually the case in general, and usually what you have to do is you have to read a script and think of it at its worst. You read it going, "OK, how bad could this be?" first and foremost. You cannot make a good film out of a bad script. You can make a bad film out of a good script, but you can't make a good film out of a bad script.

It's incredibly unfair. You don't see a lot of 60-year-old women with 20-year-old men onscreen.

If you’re in the room, you've grabbed the brass ring. You are all winners.

You never really learn much from hearing yourself talk.

On an awards-show day, I can play basketball, go in, take a shower and put on a tux - it takes me three minutes to put on a tux - and be out the door in 15 minutes.

I've walked with very famous people down red carpets over to the crowd of thousands of people, and you'll reach out to shake their hand and they've got a camera in their hand. And they don't even get their hand out, because they're recording the whole time.

In the ’60s, when I was growing up, one of the great elements of American culture was the protest song. There were songs about the civil rights movement, the women’s rights movement, the antiwar movement. It wasn’t just Bob Dylan, it was everybody at the time.