It is easy to write unthinking music.
Most of my influences are turn-of-the-century.
I am optimistic about the future of music.
I am certain that most composers today would consider today's music to be rich, not to say confusing, in its enormous diversity of styles, technical procedures, and systems of esthetics.
The retrospective glance is a relatively easy gesture for us to make.
Although technical discussions are interesting to composers, I suspect that the truly magical and spiritual powers of music arise from deeper levels of our psyche.