The early 20th Century was probably the high tide of global white supremacy - I'm going to call it that because that's how people thought of it - and to be specific, Anglo-Saxon supremacy: The idea that white Anglo-Saxon Protestants were at the top of the world, representing the highest achievement possible for all of humanity, with Darwin's theories being used to prop up this belief.

Sport is cultural. What the star athlete does helps to define the culture. What the star athlete does on a Canadian team, especially if he or she is Canadian, helps define Canadian-ness.

The only good produced by the disappearance of Africville was the appearance of a conscious black nationalism … In this regard, Consecrated Ground is the heir of fierce, vengeful, and epic activism.

A rural Venus, Selah rises from thegold foliage of the Sixhiboux River, sweepspetals of water from her skin. At once,clouds begin to sob for such beauty.Clothing drops like leaves."No one makes poetry,my Mme.Butterfly, my Carmen, in Whylah,"I whisper. She smiles: "We'll shape it withour souls."Desire illuminates the dark manuscriptof our skin with beetles and butterflies.After the lightning and rain has ceased,after the lightning and rain of lovemakinghas ceased, Selah will dive again into thesunflower-open river.

I still think that there's some kind of psychological investment in black athletes carrying the flag for "us" at times. So, sports [remains a] metaphor for struggle and triumph and flair.

The early 20th Century was probably the high tide of global white supremacy - I'm going to call it that because that's how people thought of it - and to be specific, Anglo-Saxon supremacy: The idea that white Anglo-Saxon Protestants were at the top of the world, representing the highest achievement possible for all of humanity, with Darwin's theories being used to prop up this belief.

Donna E. Smyth - adventures with words; she is always doing something new and unique. Beginning with her visceral morality, her stories are startling, nerve wracking, provocative: she combines Angela Carter's beautiful style with Patricia Highsmith's malevolent atmospheres. Smyth shatters clichs and dismisses mere sociology. She knows that pleasure is besieged by terror. She tells us what we don't want to know, but need to know. Smyth's writing disturbs us, enrichingly, because truth can never be at peace with language.