George Gershwin Quotes

All these tales of people sitting down and composing symphonies just as though they were writing a letter are very much exaggerated; at least, it isn't that way in my work.

I frequently hear music in the heart of noise.

Writing music is not so much inspiration as hard work.

Jazz is one of the best things that you can find in your life, it can always be your friend.

All great composers of the past spent most of their time studying. Feeling alone won't do the job. A man also needs technique.

Upper berth, lower berth, that's the difference between talent and genius.

Look at the piano. You'll notice that there are white notes and black notes. Figure out the difference between them and you'll be able to make whatever kind of music you want.

I didn't even start playing the piano until I was about 13 or 14. I guess I must have had a little talent or whatever-you-call-it, but I practised regularly, and that's what counts.

Music sets up certain vibration which unquestionably results in a physical reaction. Eventually the proper vibration for every person will be found and utilized.

True music must repeat the thought and inspirations of the people and the time.

It took me three weeks to write the 'Rhapsody in Blue.' I had always wanted to write something blue and Paul Whiteman inspired.

Summertime And the living is easy Fish are jumpin' And the cotton is high Oh, your daddy's rich And your mama's good lookin' So hush little baby now don't you cry One of these mornin's You're gonna rise up singin' Then you'll spread your wings And take to the sky But til that mornin' Ain't nothin' can harm you With your daddy And your mammy standin' by.

An entire composition written in jazz could not live.

A skyscraper is at the same time a triumph of the machine and a tremendous emotional experience, almost breath-taking. Not merely its height but its mass and proportions are the result of an emotion, as well as of calculation.

Originality is the only thing that counts. But the originator uses material and ideas that occur round him and pass through him. And out of his experience comes the original creation.

It sounds simple, of course, but personally I can think of no more mentally arduous task than making music.

Out of my entire annual output of songs, perhaps two, or at the most three, came as a result of inspiration. We can never rely on inspiration. When we most want it, it does not come.

The extraordinary thing about my mother, she's so modest about me.

My people are Americans. My time is today.

Not many composers have ideas. Far more of them know how to use strange instruments which do not require ideas.

It is always possible to create something original.

Why should I limit myself to only one woman when I can have as many women as I want?

Jazz I regard as an American folk music; not the only one, but a very powerful one which is probably in the blood and feeling of the American people more than any other style of folk music.

I want to say at once that I frankly believe that Irving Berlin is the greatest songwriter that has ever lived.... His songs are exquisite cameos of perfection, and each one of them is as beautiful as its neighbor. Irving Berlin remains, I think, America's Schubert.

For suddenly, I saw you there And through foggy London town The sun was shining everywhere.

When jazz is played in another nation, it is called American. When it is played in another country, it sounds false. Jazz is the result of the energy stored up in America.

The European boys have small ideas but they sure know how to dress 'em up.

Life is a lot like jazz. It's best when you improvise.

What the hell do you want to work for somebody else for? Work for yourself!

When I'm in my normal mood, music drips from my fingers.

The composer does not sit around and wait for an inspiration to walk up and introduce itself...Making music is actually little else than a matter of invention aided and abetted by emotion. In composing we combine what we know of music with what we feel.