He caught that with the outside of his instep.

John Milius and Francis Ford Coppola and Oliver Stone - those guys are consummate filmmakers. They believe that you don't talk it, you show it. So when I find a role now, I try to find a visual way to tell what the character is about rather than trying to speak about it.

There came [a script called] “Dracula Sucks.” Now, I liked “Dracula Sucks,” but we gotta change [the title]. They said, “If you like that, you’re going to like this: ‘Zorro the Gay Blade.’” I decided I was going to go out and raise the money and develop my own projects. And that’s what I did. I made “Love at First Bite” and I made “Zorro the Gay Blade.” [Script rewriter Hal Dresner] and I put together “Zorro” in about eight weeks.

A world-class playboy once told me that the key to mesmerising women is to listen to them and look deeply into their eyes.

You asked me my favorite question: What happened and what did you learn from being under contract to MGM? And the answer is I know how to make movies. I understand how to do that. I've been doing that my whole life. It's just easier to raise the money yourself and then hire yourself. It's possible if you reduce your own budget a little.

What that situation really needed was a little eyebrows.

I've been in the sun most of my life. I've gone to skin doctors and they'll say to you, 'We should remove this because it's pre-cancerous,' and I'll say, 'Explain pre-cancerous to me.' I'll listen for about twenty minutes and I'll say excuse me, 'Is pre-cancerous like pre-dead? So you're saying it could turn into cancer but it's not cancer?'