A lot of people went underground with their spiritual life in the seventies, but they're out there in little nooks and crannies and in the countryside, people who look and dress straight, insurance salesmen types, but they're really meditators and chanters, closet devotees.

Dylan is so brilliant. To me, he makes William Shakespeare look like Billy Joel.

George: [On the 'Two Virgins' cover] 'What I thought of the sleeve then was the same as I think now: it's just two not-very-nice-looking bodies, two flabby bodies naked. It's harmless, really - different strokes for different folks.

Life is like a piece of string with a lot of knots tied in it. The knots are the karma you're born with from all your past lives, and the object of human life is to try and undo all those knots. That's what chanting and meditation in God consciousness can do. Otherwise you simply tie another ten knots each time you try to undo one knot. That's how karma works.

I don't believe in telling all to the public, but I feel a certain gratitude to them for having provided me with a fine material base that enables me to do pretty much what I want, possibly, for the rest of my life.

I'd rather stay home and watch the tube than go out and make myself into a spectacle. I'm not uncomfortable with a social life, but it doesn't appeal to me. It doesn't seem to accomplish anything - it just leaves one wanting for more.

There's the whole significance of Krishna as the flute player who awakens our consciousness. It doesn't necessarily have to be a flute because for me it was a sitar or a guitar or even Elvis Presley doing "Heartbreak Hotel." It was like Krishna's flute calling me somewhere. It's just really simple when we can remember.