Imagination is not the exclusive appanage of artists, but belongs in varying degrees to all men.

The artist is called a creator.

A man may be buoyed up by the efflation of his wild desires to brave any imaginable peril; but he cannot calmly see one he loves braving the same peril; simply because he cannot feel within turn that which prompts another. He sees the danger, and feels not the power that is to overcome it.

The discoverer and the poet are inventors; and they are so because their mental vision detects the unapparent, unsuspected facts, almost as vividly as ocular vision rests on the apparent and familiar.

Philosophy and Art both render the invisible visible by imagination.

As all Art depends on Vision, so the different kinds of Art depend on the different ways in which minds look at things.

Bad acting, like bad writing, has a remarkable uniformity, whether seen on the French, German, or English stages; it all seems modeled after two or three types, and those the least like types of good acting. The fault generally lies less in the bad imitation of a good model, than in the successful imitation of a bad model.