I am a giant proponent of giant screens. But I accept the fact that most of my movies are going to be seen on phones.

Even in high school I was very interested in history - why people do the things they do. As a kid I spent a lot of time trying to relate the past to the present.

There's nothing worse than the frustration of having somebody who you feel doesn't get what you're doing, trying to turn it into something else. It's a very, very annoying and sort of frustrating thing and I just never wanted to go through it. I was very fortunate as I came up through the film business that I was able to insulate myself from that.

I don't ever see movies by myself. I always see them with other people because I want to know what works. I want to know where they laugh. I want to know where they don't laugh. I want to know what they think about it afterwards because in the end that's what the art that I'm working with is.

I was a terrible student in high school and the thing that the auto accident did - and it happened just as I graduated, so I was at this sort of crossroads - but it made me apply myself more, because I realized more than anything else what a thin thread we hang on in life, and I really wanted to make something out of my life.

A lot of great thinkers- like Einstein and Newton- come up with their best ideas when they're young because they don't yet think in the way that the establishment teaches them. Sometimes your lack of knowledge frees your mind to be creative and think in a different way. But you still have to be logical and figure out a practical way to get things done, even though you're looking at things differently.

If this were a fantasy world, there would be ten of me and we would each be doing what we wanted to do.