I think that's an obligation you have, to give back no matter what happens. It actually ends up being easier when you're young than when you become successful. Suddenly you realize you've gone into a whole other realm of philanthropy, from just being a volunteer to being this person that dedicates buildings and saves lots of children in some faraway place.

I am more of a visual person than a verbal person. For me, I think, the excitement is the fact that I found a way of telling the story as I want to tell it, in a medium that I could master.

You're not going to stay in business, the business of making movies very long because you need the resources in order to keep going. So you have to try and find a niche audience or some kind of audience that has the same likes, dislikes and aesthetic sensibilities that you have.

I wanted to be a car mechanic and I wanted to race cars and the idea of trying to make something out of my life wasn't really a priority. But the accident allowed me to apply myself at school. I got great grades. Eventually I got very excited about anthropology and about social sciences and psychology, and I was able to push my photography even further and eventually discovered film and film schools.

I think as you grow up, you realize you have obligations just in your life - being a citizen, being part of humanity - to help other people, to help your country, to help the world.

I felt that one of the major issues in the third film is that Luke is finally on his own and has to fight Vader and the Emperor by himself. If you get a sense that Yoda or Ben is there to help him or to somehow influence him, it diminishes the power of the scene.

Learning to make films is very easy. Learning what to make films about is very hard. What you’ve really got to do is focus on learning as much about life, and about various aspects of it first.