Emotionally involving the audience is easy. Anybody can do it blindfolded: get a little kitten and have some guy wring its neck.

I came from a very avant-garde documentary kind of film making world. I like cinema verité, documentaries. I liked non-story, non-character tone poems. And that's the film making that I was interested in.

I never had a story for the sequels, for the last trilogy. That's not really part of the plan at this point, and I'll be at the age where to do another trilogy would take 10 years. I'd always envisioned it as six movies. When you see it in six parts you'll understand that it really ends at part six.

The object is to try to get the (movie) system to work for you, instead of against you. And the only way you can do it is through success, I'm afraid.

In the end, the most important thing to me is that I've raised three kids. I know that'll be the most important accomplishment of my life and it is the most easily obtainable, because all you have to do is pay attention. It is hard work and most people don't realize that's the real gift they are getting in terms of goals and success and accomplishments.

I wanted to transfer to an art school, and ended up going to the University of Southern California. They had a cinematography school, and I said "Well, that's sort of like photography, maybe that will be interesting." And once I started in that department, I found what it was that I loved and was good at.

One of the things that will never get explained in the films is how Ben was able to retain his identity, because it happened somewhere between the third and fourth movies. I set up that this is a discipline that he learned from Yoda; Yoda told him how to do that.