You can be as rich, and famous, and powerful as you want to be, and it will not bring you happiness. That's said over and over and over, again. It's such a cliché that it hardly needs to be said, but people don't understand that it's actually true.

Before I became a film major, I was very heavily into social science, I had done a lot of sociology, anthropology, and I was playing in what I call social psychology, which is sort of an offshoot of anthropology/sociology - looking at a culture as a living organism, why it does what it does.

Someday you're going to have to learn to separate what seems to be important from what really is important.

Over time I began to realize that the level of cinema criticism in the last part of XX century in the United States was pretty low. The institution itself is not what it's supposed to be, and I realized that I didn't need to take that seriously.

On the professional side, I've helped move cinema from a chemical-based medium to a digital-based medium. That'll be one of the landmarks. And I've left these stories, these little tales that have been imprinted on the media, which will or will not be of interest to people in the future. I've done the best I can.

Part of the issue of achievement is to be able to set realistic goals, but that's one of the hardest things to do because you don't always know exactly where you're going, and you shouldn't.

The best way to truly understand narrative art is to experience it.