The first movies, they just put up a camera and had a train come into a train station, and everybody was amazed. That was sort of all technology.

Each time I do a trilogy it's ten years out of my life. I'll finish Episode III and I'll be 60. And the next 20 years after that I want to spend doing something other than Star Wars. If at 80 I'm still lively and having a good time and think I can work for another 10 years between 80 and 90, I might consider it. But don't count on it. There's nothing written, and it's not like I'm completing something. I'd have to start from scratch. The idea of a third trilogy was more of a media thing than it was me.

I was going to go to a four-year college and be an anthropologist or to an art school and be an illustrator when a friend convinced me to learn photography at the University of Southern California. Little did I know it was a school that taught you how to make movies! It had never occurred to me that I'd ever have any interest in filmmaking.

A film is sort of binary - it either works or it doesn't work. It has nothing to do with how good a job you do. If you bring it up to an adequate level where the audience goes with the movie, then it works, that is all.

If you look at 'Blade Runner,' it's been cut sixteen ways from Sunday, and there are all kinds of different versions of it.

As a group, we are stronger than we are as individuals. We start to think we want everything for ourselves and we don't want to help anybody else. We want to succeed, but we don't want anybody else to succeed, because we want to be the winner.

I'm here, and every day now is an extra day. I've been given an extra day so I've got to make the most of it.