When Star Wars became a hit and I had a chance to make the other movies, I had to figure out a way to bring Ben back, but a lot of the issues he had to deal with were carried by Yoda. In a sense, I combined Yoda with the spirit of Ben. I wanted Ben to have some kind of influence, but I didn't want it to be a direct influence where he could help Luke. So Ben has managed to keep his identity after he became one with the Force. One of the things he was doing on Tatooine besides watching over Luke was learning how to keep his identity after he became part of the Force.

George Orwell was right. There's no greater genius as far as I'm concerned in terms of understanding human nature. I think that a lot of people just believe anything you tell them, and no matter what it is, they just go along with the program. They're perfectly happy to take their pill every day and do what they're told, and work and buy things, and work and buy things, and stay out of any complex emotional situations. And whatever the authorities tell them to do, they do, and whatever the authorities say is the truth, they believe is the truth.

The best way to truly understand narrative art is to experience it.

I am more of a visual person than a verbal person. For me, I think, the excitement is the fact that I found a way of telling the story as I want to tell it, in a medium that I could master.

It's not a matter of how well can you make a movie. It's how well can you make it under the circumstance, because there's always circumstances. You cannot use that as an excuse.

When my films don't work it's usually because I tried some very experimental idea. I tried new ideas and they just didn't work, as opposed to trying to do something conventional and having it be so conventional nobody wanted to see it.

Digital technology allows us a much larger scope to tell stories that were pretty much the grounds of the literary media.