I couldn't change anything without changing the end position, and I'm perfectly happy now. So whatever I feel in some sense may have been a mistake in the past is, in another sense, not a mistake, because it's left me here.

I'm looking back to a period of my life when I was badly hurt and then looking at another time when I felt I had things going for me again, so I suppose there is a theme [of the Faith album].

People run on and off the stage, but usually they're removed before they get to me. It's not really frightening. There's always the possibility that someone's going to take a potshot at you; you take that risk when you perform in front of thousands of people.

Still, the music was always there, and the lyrical capability was always threatening to show its head.

That feels natural to me, singing in a small group of people I just can't do. You'll never hear me sing at a dinner table or anything, but this feels kinda natural. I've done it many, many times. So, and also, the pressure's off me cos I'm not singing on my own. I'm just doing a few harmonies with my stuffed nose.

I wouldn't marry until I was ready to have children.

George was the easy part. As for Michael, I had always liked the name, and my father's brother is named Michael. I thought it was a good idea because there are a lot of Greeks in England with the second name of Michael; as a child I had a Greek friend whose second name was Michael. It was like getting the name that I wanted without having to get rid of the Greek element.