When I open my mouth and sing, the truth comes out. When I write, the truth comes out. I can't lie. That, I think, is one of the strongest elements of my music. When people talk about my writing as though I'm doing it from an accountant's perspective, it really pisses me off.

It's an incredibly limited sphere those tabloids have, isn't it? Basically, they can accuse people of being gay and they can accuse people of taking drugs, but they can't get any more sensational without entering into the realm of incredibly bad taste.

Both of us knew the band had run its course. We were both unhappy doing it, but I think the way Andrew [Ridgeley] was being treated as the less important half of the duo had finally taken its toll on him.

The only difficulty is that I'm playing to two audiences, and it's too bad the noise detracts from the show, because it's a great show. I've seen my own self out there, and it's a very good musical show. Sometimes the show gets lost in the hysteria and sometimes it doesn't.

When I write and produce something, I know exactly how I want it to sound, and I have a very strong interpretation of it. I can't really think of anyone at the moment I'd particularly like to play a duet with. You never know, though, I might receive an offer tomorrow and say, "Yeah, that'd be great." But it's not something that's on my mind.

Basically I see that song as a bunch of images which I threw together to represent the fact that I was seeing one girl and then I started seeing another, and it was just the guilt in between those two periods. The ballads I've written since have been about things that really hurt me.

I probably owe an apology to fans that have been supportive and have not wanted to believe any of this was true. It takes a little bit of the sheen off of the mystique.