I think part of it has got to be compensation, yes, for the fact that when I was a kid, I wasn't particularly attractive. But at the same time I don't remember ever thinking, Oh, my God, I'm such a mess; I'm the ugliest sod in the class.

[Music From the Edge of Heaven] wasn't really an album at all. The band had made the decision to release an LP and then split up. We wanted to go out with a bang in Britain and the rest of the world by having a single that was four songs, not just one song. But we couldn't do that over here because we couldn't release a single without an album.

Everything was meant to wind people up [in Make It Big ]. I don't know why we had this great pleasure in winding people up, but we really did think they would get the joke. And it backfired on us.

My parents both came from very poor working-class families.

My American gay audience have continued to dance and sing to the music I make in a way that straight Americans haven't. I am grateful to them for that.

[My father] was more than apprehensive. He didn't think I stood a chance in hell. He had no confidence in me whatsoever and was convinced that I was going to be coming to him for money when I was 40. We argued about it constantly.

For a while I took Ecstacy when it was not very available over here. I took it simply because it made me feel that everything was wonderful.