I think that in fact by taking on the persona of a human being, you begin to realise that it is all ego, and that beneath that ego is something else, and that something else is a tranquil, nonentity, that we are simply drops of the sea, that we belong to each other.

I spent a month in India and where I learnt an important word for me, for everything that had come before and after, and the was the word 'seva' - the work you do without wanting reward, simply for the work itself, for the spiritual, for the practice and the experience it gives you by doing that work. I began to realise it was something I was searching for all my life, that I was doing theatre not for myself but for something for a search, for a seeking for something that is behind that, to find a truth somewhere about us.

Music has always been a part of my spiritual seeking, from the moment that Handel's 'Messiah' gave me the experience when I was so young, and music has meant so much to me since then.

I think that in fact by taking on the persona of a human being, you begin to realise that it is all ego, and that beneath that ego is something else, and that something else is a tranquil, nonentity, that we are simply drops of the sea, that we belong to each other.

When I began to direct, I began to understand and realise that everything that I'd learnt, both in music and dance and in the theatre, seemed to come together as a director, and I began to enjoy it. And slowly I let the acting go.

When you have an empty mind, you are prepared for the next thing that happens. It's like to be part of a spiritual practice for me simply means that you are there now. Not waiting for the next moment, or not living in the moment before, but you're there now. And it's there now which can only be really breathed and lived if the mind is empty enough to receive it.

Identity is a very difficult thing in the theatre. As an actor said to me one day, 'What are we doing today?' when we were doing a workshop. And I said, 'Oh, just be yourself'. And he said to me, 'I don't know who that is, I'm an actor'. And I begin to realise in fact that we seek identity because we're told we should have one, but I wonder whether it's necessary.