When I began to direct, I began to understand and realise that everything that I'd learnt, both in music and dance and in the theatre, seemed to come together as a director, and I began to enjoy it. And slowly I let the acting go.

Identity is a very difficult thing in the theatre. As an actor said to me one day, 'What are we doing today?' when we were doing a workshop. And I said, 'Oh, just be yourself'. And he said to me, 'I don't know who that is, I'm an actor'. And I begin to realise in fact that we seek identity because we're told we should have one, but I wonder whether it's necessary.

World is full of followers and leaders, and I think that if one can become both and be both, to follow in order to lead, and to lead in order to follow, then I think you're on the right path.

One of the things that you never realise while you are young is that things do come to an end.

I loved doing school musicals [as a kid], I even started at an early age to write little plays for the school to perform. I was not just keen on that, it was during that time, during the school period then from an early age, that I began to dream about acting.

The inter-relationships between people have always fascinated me, as a director. And particularly those who are battlers in life, those who are on the fringes of life, they've always fascinated me, and I've always loved working on those characters.

Music has always been a part of my spiritual seeking, from the moment that Handel's 'Messiah' gave me the experience when I was so young, and music has meant so much to me since then.