A mass of Latin words falls upon the facts like soft snow, blurring the outline and covering up all the details. The great enemy of clear language is insincerity. When there is a gap between one's real and one's declared aims, one turns as it were instinctively to long words and exhausted idioms, like a cuttlefish spurting out ink. In our age there is no such thing as 'keeping out of politics'. All issues are political issues, and politics itself is a mass of lies, evasions, folly, hatred, and schizophrenia. When the general atmosphere is bad, language must suffer.

It was with the last revolution and the coming of INGSOC (Inglish/English Socialism) that the latest High learnt how to keep their position permanently - by cultivating ignorance among the other classes and by constantly surveying them through the Thought Police. Part of this strategy included the maintenance of a state of continual warfare, which Goldstein discussed in the third chapter. The three major powers were not fighting this perpetual war for victory; they were fighting to keep a state of emergency always present as the surest guarantee of authoritarianism.

The nationalist not only does not disapprove of atrocities committed by his own side, but he has a remarkable capacity for not even hearing about them.

While the game of deadlocks and bottle-necks goes on, another more serious game is also being played. It is governed by two axioms. One is that there can be no peace without a general surrender of sovereignty: the other is that no country capable of defending its sovereignty ever surrenders it. If one keeps these axioms in mind one can generally see the relevant facts in international affairs through the smoke-screen with which the newspapers surround them.

[You write out of the] desire to seem clever, to be talked about, to be remembered after death, etc., etc., etc. It is humbug to pretend this is not a motive and a strong one.

If publishers and editors exert themselves to keep certain topics out of print, it is not because they are frightened of prosecution but because they are frightened of public opinion. In this country intellectual cowardice is the worst enemy a writer or journalist has to face, and that fact does not seem to me to have had the discussion it deserves.

When I sit down to write a book, I do not say to myself, 'I am going to produce a work of art.' I write it because there is some lie that I want to expose, some fact to which I want to draw attention, and my initial concern is to get a hearing.