The drama is a great revealer of life.

Rare is the human being, immature or mature, who has never felt an impulse to pretend he is some one or something else.

Farce treats the improbable as probable, the impossible as possible.

What then is tragedy? In the Elizabethan period it was assumed that a play ending in death was a tragedy, but in recent years we have come to understand that to live on is sometimes far more tragic than death.

Back through the ages of barbarism and civilization, in all tongues, we find this instinctive pleasure in the imitative action that is the very essence of all drama.

There is no essential difference between the material of comedy and tragedy. All depends on the point of view of the dramatist, which, by clever emphasis, he tries to make the point of view of his audience.

The drama is a great revealer of life.