In reading plays, however, it should always be remembered that any play, however great, loses much when not seen in action.

Drama read to oneself is never drama at its best, and is not even drama as it should be.

But what is drama? Broadly speaking, it is whatever by imitative action rouses interest or gives pleasure.

Sensitive, responsive, eagerly welcomed everywhere, the drama, holding the mirror up to nature, by laughter and by tears reveals to mankind the world of men.

Farce treats the improbable as probable, the impossible as possible.

No drama, however great, is entirely independent of the stage on which it is given.

There is no essential difference between the material of comedy and tragedy. All depends on the point of view of the dramatist, which, by clever emphasis, he tries to make the point of view of his audience.