Politics should be, you know, as exciting as literature, as exciting film.

Before the nineteen-seventies, most Republicans in Washington accepted the institutions of the welfare state, and most Democrats agreed with the logic of the Cold War. Despite the passions over various issues, government functioned pretty well. Legislators routinely crossed party lines when they voted, and when they drank; filibusters in the Senate were reserved for the biggest bills; think tanks produced independent research, not partisan talking points. The "D." or "R." after a politician's name did not tell you what he thought about everything, or everything you thought about him.

Hillary Clinton's such a classic Democratic political figure and believes so much in institutions and in gradualism in the old way of reaching compromises with the opposition in the back rooms. That's what she did in Congress. It's what I imagine she'll try to do in the White House.

It's a cliche that the Senate is broken, and like most cliches, it's true.

Under Bill Clinton we had a roaring economy that looked really good.

The literature of the Spanish Civil War is also important to me. Above all George Orwell's "Homage to Catalonia" as well as the writing of John Dos Passos and Ernest Hemingway. They worked on a film together in Spain during that war, which ended their friendship.

American politics can produce great men and women, but it is profoundly insular.