Every stroke a tennis player plays is different, yet we perceive them as playing in a distinctive and unique way. It's what Heidegger called a certain 'how' of existing. It's ultimately always singular, and the double task of (a) getting it in view and (b) communicating it to others will inevitably be marked more often by failure than success!

Positively, he [Heidegger] shows that the prospect of death doesn't of itself destroy all possibilities of meaning but calls instead for these to be relocated from fantasies about a future post-mortem life. However, I don't think he does enough in this work to show that this relocation has - I believe - a primarily ethical character (in Levinas's sense of 'ethical').

I'm not sure how far Derrida's later 'theological' interests are really rooted in post-structuralism or whether they don't rather reflect a kind of Kantian-Marxist trajectory - with a French twist on the centrality of liberty, equality and fraternity (cf. Politics of Friendship). Not to mention the role of Levinas and, behind Levinas, Judaism's twinning of eschatology and the call for justice.

Essentially I see the new atheism as largely part of the crisis of the left. Having failed to carry through its agenda in relation to political and economic life it's rounding on religion, ignoring the fact that, in some key respects, many believers are likely to share leftist aspirations.

But, inevitably, as he [Kierkegaard] approaches what we might call his Christocentric climax many readers drop off. Many scholars just leave that part of his authorship alone.

I'm not sure if Cupitt himself still uses this term, but it's useful in suggesting that, actually, there are more choices than the choice between nihilism and faith. In fact, the issue may not be faith as such but the fact that for millennia, Christianity has buttressed itself with a particular kind of metaphysics that has now seemingly reached the end of its life-span. But perhaps Buddhist metaphysics could provide an alternative here - or, at least, offer a direction of travel.

Every stroke a tennis player plays is different, yet we perceive them as playing in a distinctive and unique way. It's what Heidegger called a certain 'how' of existing. It's ultimately always singular, and the double task of (a) getting it in view and (b) communicating it to others will inevitably be marked more often by failure than success!