The crime part is the engine that moves the narrative and allows me to write the other things I want to write about.

We remember when women were spoken of differently. I don't mean that we didn't speak of women sexually - that happened. It was never this crude: there wasn't the connotations, the violence. I think there's got to be a relationship between the coarsening of the culture, of which pornography was a piece of the puzzle.

I do have shout-outs to bands and musicians I like in my books, but the musical references can be misunderstood. Often, I have people listening to music that I would never listen to personally, because it fits and defines their character.

I live in a blue-collar neighborhood, and if anyone knows what I do for a living, they don't seem to care.

There's a school of thought that says if you legalize drugs it will solve the problem. We're all good liberals, we said let's do it and see what happens. We wanted to be honest about it. So in our brainstorming sessions we'd say, what if? The finding was that all the negative things came out also. The answer is that we didn't believe in the full legalization of drugs. But we don't believe in the criminalization of drugs, either.

The thirst for knowledge is like a piece of ass you know you shouldn't chase; in the end, you chase it just the same.

Top-shelf fiction, a Crown Royal ride into the heart of Night and New York. Con Lehane's work is reminiscent of the best of Lawrence Block, which is to say that this is very good stuff, indeed.