The prejudice is still there, but it's breaking down. You have writers like Michael Chabon and The Yiddish Policemen's Union. He's a writer who's determined to break down genre barriers. He's done amazing things.

Turtles have always been my sigil, I suppose. When I was a kid, growing up in Bayonne, NJ, I lived in a federal housing project, and we were not allowed to have a dog or cats. The only pets I could have were turtles. So, I had an entire toy castle filled with dime-store turtles. I gave them all names, and since they were living in a toy castle, I decided they were all knights and kingsand I made up stories about how they killed each other and betrayed each other and fought for the kingdom. So, Game of Thrones, actually began with turtles. I decided later to recast it with actual human beings.

For they are the knights of summer, and winter is coming.

Historical fiction is not history. You're blending real events and actual historical personages with characters of your own creation.

I always give my students exercises where they really have to open a vein and bleed all over the paper and that's the way you get the important characters. Sooner or later every writer worth reading writes a story his mother wouldn't read and having to get that stuff out is part of one's growth as a writer.

It's not," Mormont told him. "Gods save us, boy, you're not blind and you're not stupid. When dead men come hunting in the night, do you think it matters who sits the Iron Throne?

The way my books are structured, everyone was together, then they all went their separate ways and the story deltas out like that, and now it’s getting to the point where the story is beginning to delta back in, and the viewpoint characters are occasionally meeting up with each other now and being in the same point at the same time, which gives me a lot more flexibility for killing people.