It feels like every movie I've ever done, I always expected to have rocks thrown through my windows or have people protesting and it never happens and so I wasn't really ever that worried just so long as it wasn't mean spirited.

It feels like every movie I've ever done, I always expected to have rocks thrown through my windows or have people protesting and it never happens and so I wasn't really ever that worried just so long as it wasn't mean spirited.

If there's a cutaway, you need to get it then because it's only going to last [a few moments]. You have to edit the movie as you're shooting it in your head and communicate with your crew about how it's going to work. While making a movie, you have the luxury of storyboards and a script and a bigger crew and actors. I mean, it's so much easier.

I've always intended to eventually make films. I've always been very aware of tone and shots. But documentaries are a great proving ground for me.

In the past, people could use their music because there are these bootlegs floating around that were supposedly public domain but they weren't, and now they've locked everything up and it's become really near impossible to use their music in movies.

I just thought, given the practicalities of financing an independent movie, you have to have some names. That's just the way it works. You have to have a name that can get you foreign pre-sales.

I'm a fan of the European style, naturalistic thriller.