My father loved poetry and music. But deep in himself he thought teaching the finest thing a person could do.

Fischer does not merely outplay opponents; he leaves them bodily and mentally glutted. Fisher himself speaks of the exultant instant in which he feels the 'ego of the other player crumbling.'

Functions of technical information, historic record, analytic argument, which are integral and obvious to Dante's use of verse are now almost completely a part of the 'prosaic'.

It took 10 months for me to learn to tie a lace; I must have howled with rage and frustration. But one day I could tie my laces. That no one can take from you. I profoundly distrust the pedagogy of ease.

The most important tribute any human being can pay to a poem or a piece of prose he or she really loves is to learn it by heart. Not by brain, by heart; the expression is vital.

There would be no history as we know it, no religion, no metaphysics or aesthetics as we have lived them, without an initial act of trust, of confiding, more fundamental, more axiomatic by far than any “social contract” or covenant with the postulate of the divine. This instauration of trust, this entrance of man into the city of man, is that between word and world.

The poet's discourse can be compared to the track of a charged particle through a cloud-chamber. An energised field of association and connotation, of overtones and undertones, of rebus and homophone, surround its motion, and break from it in the context of collision .. in Western poetry so much of the charged substance is previous poetry.