George Tillman, Jr. Quotes

It's a balance. Like, we are shooting the big car chase at the end and it's me with everybody. And I got my stunt coordinator who shot some stuff and I'm like, you are right next to me, why don't we do it together.

Instead of saying, ah, I don't have the money, just embrace it and do what we can do. And the scenes that we film and the characterizations in the scenes can come out interesting. And I really feel good about that, going into it.

is grey, and I like that about all the characters, the killer, the driver... the movie has a very unlikely Hollywood ending, at the same time it helps you for a sequel too. Those are the things that I think are attractive, it's more, its real life, and people can identify with it and it just grounds it to a certain degree. That's the reason why.

It's going back to old school, the way it was done and I'm finding out there is something different, a little interesting. There is something just a little fresh about it because I haven't seen it done like that in a little while. I'm embracing it, you know.

That was exciting man, because the killer is a different kind of character. There are a lot of people who wanted to play the role. I'm happy that Sony and CBS took a chance on a new face. I like the idea that he is from a different country. He has a British sensibility. I like that Billy Bob has a darker edge.

I just felt like, you know, I read a lot of scripts out in L.A., out here in the industry and I just felt like this film was just being genuine. I just felt like it had really great characters. And all the three different characters have completely different stories and they're all kind of intertwined together thematically. So I just thought it had great characters, great themes

I'm a big fan of the 70's action films. Where there is a lot of character and a lot of great action, but the action is kind of cemented with a great back-story with characters. And I thought, this kind of reminded me of the movies that, early on when I was telling Dwayne (Johnson) and the guys, the producer... my whole thing is if you look at a movie like The Driver by Walter Hill, it's a film where there's no names. They are just named, "the driver", "the cop".