The painter thinks in terms of form and color. The goal is not to be concerned with the reconstitution of an anecdotal fact, but with constitution of a pictorial fact.
One must not imitate what one wants to create.
A painting without something disturbing in it – what's that?.
Art upsets, science reasures.
Once an object has been incorporated in a picture it accepts a new destiny.
Progress in art does not consist in reducing limitations, but in knowing them better.