It appears that all that can be, is. The Creator's hand does not appear to have been opened in order to give existence to a certain determinate number of species, but it seems that it has thrown out all at once a world of relative and non-relative creatures, an infinity of harmonic and contrary combinations and a perpetuity of destructions and replacements. What idea of power is not given us by this spectacle! What feeling of respect for its Author is not inspired in us by this view of the universe!

Those who write as they speak, even though they speak well, write badly.

I am convinced, by repeated observation, that marbles, lime-stones, chalks, marls, clays, sand, and almost all terrestrial substances, wherever situated, are full of shells and other spoils of the ocean.

The sublime can only be found in the great subjects. Poetry, history and philosophy all have the same object, and a very great object-Man and Nature. Philosophy describes and depicts Nature. Poetry paints and embellishes it. It also paints men, it aggrandizes them, it exaggerates them, it creates heroes and gods. History only depicts man, and paints him such as he is.

As historians, we refuse to allow ourselves these vain speculations which turn on possibilities that, in order to be reduced to actuality, suppose an overturning of the Universe, in which our globe, like a speck of abandoned matter, escapes our vision and is no longer an object worthy of our regard. In order to fix our vision, it is necessary to take it such as it is, to observe well all parts of it, and by indications infer from the present to the past.

Genius is simply patience carried to the extreme.

Let us suppose, that the Old and New worlds were formerly but one continent, and that, by a violent earthquake, the ancient Atalantis [sic] of Plato was sunk ... The sea would necessarily rush in from all quarters, and form what is now called the Atlantic ocean.