I have a single track mind. I work on an idea for a long time. It's like getting acquainted with a person, and I don't get acquainted easily.

To create one's world in any of the arts takes courage.

On the way I stood a moment looking out across the marshes with tall cattails, a patch of water, more marsh, then the woods with a few birch trees shining white at the edge on beyond. In the darkness it all looked just like I felt. Wet and swampy and gloomy, very gloomy. In the morning I painted it. My memory of it is that it was probably my best painting that summer.

One day a hummingbird flew in-- It fluttered against the window til I got it down where I could reach it with an open umbrella-- --When I had it in my hand it was so small I couldn't believe I had it--but I could feel the intense life--so intense and so tiny-- ...You were like the humming bird to me... And I am rather inclined to feel that you and I know the best part of one another without spending much time together-- --It is not that I fear the knowing-- It is that I am at this moment willing to let you be what you are to me--it is beautiful and pure and very intensely alive.

I don't very much enjoy looking at paintings in general. I know too much about them. I take them apart.

I decided to start anew-to strip away what I had been taught, to accept as true my own thinking. This was one of the best times of my life. There was no one around to look at what I was doing, no one interested, no one to say anything about it one way or another. I was alone and singularly free, working into my own, unknown-no one to satisfy but myself. I began with charcoal and paper and decided not to use any color until it was impossible to do what I wanted to do in black and white. I believe it was June before I needed blue.

I am trying with all my skill to do a painting that is all woman, as well as all of me.