I've changed over my writing life. If I can generalize, I would say that the more recent poems - believe it or not - are more pointedly political; although, if the earlier poems were more existential, they were still political; though, in their own way, had a complicated presence.

The act of writing itself isn't outrageous. And the institution subtly and insidiously works on you in such a way that though you seem to have freedom you become a servant. Your main issue is to get promoted to the next thing. Or get invited to a picnic. Or get tenure. Or get laid.

It's a kind of liberation to break free in language, if you can break free, but it's also a confinement, because form confines you - whatever the form.

Some poems are art because of their passion.

I will look at the footprints going in and out of the water and dream up a small blue good to talk to.

I feel that my job, as an artist, is to disturb the peace. And to disturb it intellectually, linguistically, politically and literally.

Oppressed persons, oppressed cultures, tend to be more political, obviously, as are those with a rage for justice, or the crazy messianic desire.