Moral certainty can deafen people to any truth other than their own.

The brave man, the real hero, quakes with terror, sweats, feels his very bowels betray him, and in spite of this moves forward to do the act he dreads.

Yes, it seems we've got this mutant gene in our human personality that makes us susceptible to this same kind of mistake over and over again. It's really uncanny how we build these beautiful multicultural edifices and then allow this switch to be flipped and everybody goes, 'Oh, the other, get them out of here.

While I love to read contemporary fiction, I'm not drawn to writing it. Perhaps it's because the former journalist in me is too inhibited by the press of reality; when I think about writing of my own time I always think about nonfiction narratives. Or perhaps it's just that I find the present too confounding.

Does any woman ever count the grains of her harvest and say: Good enough? Or does one always think of what more one might have laid in, had the labor been harder, the ambition more vast, the choices more sage?

Both my parents loved words. That was the big deal in our house.

The thing that most attracts me to historical fiction is taking the factual record as far as it is known, using that as scaffolding, and then letting imagination build the structure that fills in those things we can never find out for sure.