Even the classics that we read to our young children are full of wolves' fangs and burning ovens and bloody feet and ice shards piercing hearts. Even the New Testament climaxes with an act of unspeakable torture. Might as well just read to our kids from the Amnesty Annual Report and be done with it.

Writing is like bricklaying; you put down one word after another. Sometimes the wall goes up straight and true and sometimes it doesn't and you have to push it down and start again, but you don't stop; it's your trade.

It is natural to want to forget, Anna, when everyday is a brimful of sadness. But those souls also forgot those that they had loved. You do not want that, surely? I have heard some preach that God wants us to forget the dead, but I cannot believe so. I think He gives us precious recollections so that we may not be parted entirely from those He has given us to love. You must cherish your memories of your babes, Anna, until you see them again in Heaven.

If screenwriters have to kill off a female character, they love to give her cancer. We've seen so many great actresses go down to the Big C: Ali MacGraw, Meryl Streep, Emma Thompson, Debra Winger, Susan Sarandon.

The thing that most attracts me to historical fiction is taking the factual record as far as it is known, using that as scaffolding, and then letting imagination build the structure that fills in those things we can never find out for sure.

Jewish prayers are mostly about daily things - the sliver of a new moon, dew on the grass, the bread and the wine.

Sometimes I want to have a mental book burning that would scour my mind clean of all the filthy visions literature has conjured there. But how to do without 'The Illiad?' How to do without 'Macbeth?