I had to go and sing with the musical director of the film, Simon Lee, who is just incredible, and it went great. I sang with him about five things, things we'd worked on. And then I went to sing for Andrew Lloyd Weber.

The truth is never pretty.

I don't know whether it's spiritual development or trying to learn the psychologically with being an actor, but I realise the more I get into it that this was something I was always supposed to do. That allowed me to sit easiser in the life I was living. But that doesn't mean to say you just stroll through it. It takes work and the work is not always about acting. It's sometimes about how you deal with the ups and downs of hope, of expectation.

Comedy is actually very hard. It's hard to choose those moments and know when you can really push it, and know when you should be bringing it back and making it more subtle, and knowing as time goes on, as you do take after take and the crowd around you stops laughing. Whenever you do comedy, you realize you're up against - you're performing next to people who you would think are so unbelievably good at it, that that's a bit of a pressure. But at the same time, it's just fun. It's fun to be able to let out that side of you.

It's so incredible when you meet somebody who comes up and passionately tells you how much they liked you in a movie, or how much they liked thamovie. That's a great thing, because I know what I get out of watching a great movie. So I love what I do, but it's more - I don't think there'd be anybody who would tell you that, even if it's something they love doing, they don't get stressed out by it. I'm a very intense person, so I go very intensely and passionately into what I do.

I'm very down-to-earth. I think I'm still 'street'.

If you just tell the story of what the storys about, then it sparks curiosity, but I think it also arouses suspicion, as you say, that it could be overly sentimental. But it so isnt. And I think it was all about doing the inner work and then underplaying everything.