My manager and my agents, they go over my contracts.

You know that every bead of sweat falling off your head, every weight you've pumped - the history of that is all in your eyes.

I don't know whether it's spiritual development or trying to learn the psychologically with being an actor, but I realise the more I get into it that this was something I was always supposed to do. That allowed me to sit easiser in the life I was living. But that doesn't mean to say you just stroll through it. It takes work and the work is not always about acting. It's sometimes about how you deal with the ups and downs of hope, of expectation.

I always find stuff in my characters to relate to.

[How to train your dragon] is beautiful to look at and, again, those values that it contains about relationships, friendships, and bonding in the face of ignorance.

The Phantom, as well as being backed up by that music, it just so was a role that I identified with so powerfully. From the first second that I walked on to perform.

I think I get laid less now than I used to, because I’m way more paranoid now.