Since I started as a comic person then became a musician to me it was interesting because I have this really great, interesting fanbase that's really smart and energetic and uh how could I steer them towards a medium that shaped who I was? You know, steer them toward comics. That was really the goal, to bring a lot of readers cuz they were reading a lot of comics but most of them hadn't been reading American comics, they'd be reading manga sitting on the floor of a Barnes and Noble.

I'm not used to saying I'm gonna do something and i don't do it.

There's something very romantic about self-destruction and sabotaging your life, and taking a hammer to it.

I feel like I'm guiding the teams and we're all making this together. It feels more free-spirited and less structured, but we have our deadlines and that's important. We have an editorial team, but we're having fun. I get to guide them.

I think everybody's book is about somebody's daughter, in a lot of ways. I dig that.

I do enjoy manga but would not consider myself a 'super-fan,' only really connecting with certain works such as 'Lone Wolf and Cub,' or 'Tekkon Kinkreet,' the more breakthrough works, and 'Akira,' to me, is the daddy of them all.

Sing, that's the most powerful weapon you have.