The difference we wanna make is number one to let these kids know that they’re not alone, that they’re actually not that messed up and that they can do whatever they want; they can express themselves however they want, without being persecuted or called a faggot or some kind of racist thing. You know, really just to get people to get over their stuff so they can live.

Let me tell you how the story ends, where the good guys die and the bad guys win. It doesn't matter how many friend you make, but the graffite they write on your grave.

I don't know if commerce can every truly be information. I think that's just commerce, that's just selling you something.

The way I write is that, every time I reintroduced a character, I'd have to face some kind of inner demon.

I'm a visual thinker, so I think of everything visually, first. A lot of what an issue will become for me starts with me thinking, "What's a great cover?," or "What's the splash image?," or "What is the title of the issue? How do I see the text?" I think about all of that stuff, and then the story comes out of that imagery.

I wasn't bullied in high school, I was just ignored.

I thought 'Eternal Sunshine of the Spotless Mind' was so interesting the way it was made and the texture of it.