Form is all we have to help us cope with fundamentally chaotic facts and assaults. Formulating something is a great start. I trust form, trust my feeling or capacity to find the right form for something. Even if that is only by being well organized. That too is form.

Yes, we were amazed when that happened. It was a real joke to us. Konrad Lueg and I did a Happening, and we used the phrase just for the Happening, to have a catchy name for it; and then it immediately got taken up and brought into use. There's no defence against that - and really it's no bad thing.

I never worked at painting as if it were a job; it was always out of interest or for fun, a desire to try something.

Form is all we have to help us cope with fundamentally chaotic facts and assaults. Formulating something is a great start. I trust form, trust my feeling or capacity to find the right form for something. Even if that is only by being well organized. That too is form.

The political topicality of my October paintings means almost nothing to me, but in many reviews it is the first or only thing that arouses interest, and the response to the pictures varies according to current political circumstance. I find this rather a distraction.

I find the Romantic period extraordinarily interesting. My landscapes have connections with Romanticism: at times I feel a real desire for, an attraction to, this period, and some of my pictures are a homage to Caspar David Friedrich.

A lot of different things had to come together over the years, accumulated experiences of a general and personal nature, before the idea and the decision were developed and then carried out.