Love, love, love – all the wretched cant of it, masking egotism, lust, masochism, fantasy under a mythology of sentimental postures, a welter of self-induced miseries and joys, blinding and masking the essential personalities in the frozen gestures of courtship, in the kissing and the dating and the desire, the compliments and the quarrels which vivify its barrenness.

Sadness is the matrix from which wit and irony spring; sadness is uncomfortable and creative, which is why consumer society cannot tolerate it.

There has come into existence, chiefly in America, a breed of men who claim to be feminists. They imagine that they have understood what women want and that they are capable of giving it to them. They help with the dishes at home and make their own coffee in the office, basking the while in the refulgent consciousness of virtue. Such men are apt to think of the true male feminists as utterly chauvinistic.

The hippie is the scion of surplus value. The dropout can only claim sanctity in a society which offers something to be dropped out of--career, ambition, conspicuous consumption. The effects of hippie sanctimony can only be felt in the context of others who plunder his lifestyle for what they find good or profitable, a process known as rip-off by the hippie, who will not see how savagely he has pillaged intricate and demanding civilizations for his own parodic lifestyle.

Bollocks have never frightened me. I'll eat a bollock any time.

If a woman never lets herself go, how will she ever know how far she might have got?

Gillard is as likeable as Rudd is charmless. She is self-deprecating; he is ludicrously vainglorious. She is a mistress of understatement; he is a ranter.