New York is still where I live most of the time.

If you've only got one horn playing, I still want the sense of ensemble.

People are approaching electronic levels in music; although not all of it happens to tickle my fancy

Because if you've got the wit, you can make anything into a melody, ultimately.

Eliminating the piano means that I've always worked closer with the bass than most players.

I would think, of all the saxophones, the baritone would be the most logical instrument if anybody was adding a voice to the symphony orchestra.

Actually, when I was very young, first starting to play, I think I probably listened more to clarinet players than to saxophones.